PRO
JECTS
(That I especially like)
BO
OKS
el círculo de la rosa
author
Profoundation, Mexico City, 2024
order
the circle of the rose is a historical essay, a documentary fiction and the assembly of an archive to tell an unpublished story of contemporary Venezuelan art
the circle of the rose is an experimental book about the Venezuelan artist Roberto Obregón—the man of the rose—and his circle of artist friends during the emergence of conceptual practices in the 1970s.
Design by Raúl Dieff
Cover by Florencia Alvarado
PRESS: El Nacional (VE): Torrivilla: "Like many Venezuelans, I have felt cornered by history." Interview with Torrivilla, by Isaac González Mendoza
Artishock (CL): " The rose and our illusion of history ." Review of the presentation performance at the Tamayo Museum in Mexico City, by Sonia Quintero
Deborah Castillo: Body of Work
editor
Profoundation, Mexico City, 2023
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El bravo tuky
co-author
Editorial Lugar Común, Caracas, 2015
PRO
JECTS
(That I especially like)
The circle of the rose
Presentation performance
Mendoza Hall, Caracas, 2024
Presenting the body: theory and practice of the book Body of work
Presentation performance with Deborah Castillo
Chopo University Museum , Mexico City, 2023
Video recording, Museo del Chopo YouTube Channel
Quiero la obra más cara
Performance con deborah castillo
Feria de Arte Material, Ciudad de México, 2022
Prensa: Artistas buscaban la obra de arte más cara, pero Material frusta su performance, El Universal México,
Registro en Video: Oh, Gucci!
EDU
CA
TION
El ruido, la furia, el cuerpo
Taller, exhibición y programa público en torno a performance y política en América Latina
Guadalajara, Secretaría de Cultura de Jalisco, 2023
Press: UDG TV, Cultura Jalisco, Jalisco Noticias
Betraying identity
Central University of Venezuela, Room 201, 2022
Convened by Labo Ciudadano and the Center of Literature Students
Knock down sacred cows
Workshop for activists
Caracas, Venezuela, 2022
In partnership with Labo Ciudadano
A closed-door workshop for artists, activists and cultural managers, focused on reflecting on the construction of counternarratives through art, in the face of the great story of the nation and its categorization of identities.